Rona Maynard Let's Talk

Letters from Rona

When Mary Travers rang the bell of freedom

RM
SEP
18

Alg Peter Paul And MaryFor days now I've been hearing a familiar old song in my head. Pounding guitar, three young voices in harmony. They're letting it rip---the hope, the exuberance, the conviction that a new age of equality was about to transform their nation and the world. A woman's  voice soars above the others. "It's the hammer of justice, it's the bell of free-eedom!" sings Mary Travers, band mate of Peter and Paul. On Wednesday she died of leukemia, age 72.

I was 13 when Peter, Paul and Mary's first album, featuring "If I Had a Hammer," vaulted onto Billboard's Top Ten and stayed there for close to a year. It eventually sold more than 2 million copies, one of which I bought for a dollar for joining the Columbia Record Club. Since my dollar also covered several other albums, the actual price was more like a quarter---a deal that had me quitting and rejoining the record club all through my penurious teens. I never would have paid full price for PP&M, as they were known. I disdained them as slick and bouncy crowd pleasers, even as I hummed along. They didn't have the fiery indignation of Bob Dylan, or the barefoot purity of my idol, Joan Baez, whose every ballad seemed a lament for humankind and who looked as if she didn't own a lipstick. 

Mary, in particular, aroused my suspicions. I had the chubby misfit's distrust of the shapely, desirable and gorgeous. Which Mary undoubtedly was, a dead ringer for May Britt with her skinny, Jackie-esque dresses and gleaming blonde hair (I assumed she had bleached it). I had her pegged as a former cheerleader who felt entitled to men's desire and would bask forever in its glow.

I didn't know then that Albert Grossman, who managed the group (and Dylan) had seen Mary as "a sex object for the college male." (That's why Peter and Paul did all the talking onstage.) But the truth is, if I had known, I'd have blamed Mary. Back then it seemed a woman could either be a babe or a brain---never both.

I forgot all about Mary Travers until the news of her death shook my memories like the chips in a kaleidoscope. Then I began to wonder who she really was. I was ready to meet a different Mary---and online, I found her. A teenage folkie, a regular at sing-alongs in Washington Square Park (so much for the pom-pommed cheerleader of my imaginings). A tireless activist who spoke up for Jews in the Soviet Union, blacks in apartheid-era South Africa, enemies of the state in El Salvador and homeless women and children in her home city, New York. A mother, wife and grandmother, a poet and gardener.

She had a quirky wit. In a 10-year-old interview with The New York Times, she recalled meeting band mate Noel Paul Stookey when he was "working as half singer, half comedian, half master of ceremonies. I realize that's three halves. I didn't pass math."

She had an ear for the revelatory insight. Case in point: these words from her mother, who wrote children's books and held a management job: "Be careful of compromise, Mary. There's a fine line between compromise and accomplice."

She had that voice---full-throated, brave and joyous. It's because of Mary's voice that I cared enough to go looking for the mind and the heart. Here she is on YouTube with Peter and Paul, cutting loose with "If I Had a Hammer," proving you don't have to be dour to say no to injustice. You can have the time of your life.

Click here to read my obituary for another inspiring woman, Dr. Jerri Nielsen---author, adventurer, healer.


 

Posted by Rona September 18, 2009 @ 10:52 AM. File in Women

 
 

Your comments

Number of Comments  2 responses to "When Mary Travers rang the bell of freedom"

 
Comment
Lynne
September 19, 2009 at 11:11AM
 
Peter, Paul, and Mary provided the soundtrack for my early childhood. I still remember in preschool and kindergarten singing "Puff the Magic Dragon" and "If I Had a Hammer" and having no idea what the words actually meant. It was later rumored that "Puff" was about illict drug use, but I always doubted it. I hope and pray that Ms. Travers Rests In Peace. She was truly a class act and will be sorely missed amongst the musical world and humanity as a whole.
 
Reply
Rona Maynard
September 19, 2009 at 3:03 PM
 
Lynne, I confess I always did think "Puff" was about smoking up. Why else was Puff's little friend called "Jackie Paper," I asked myself? Today your comment prompted me to explore the history of the song. Turns out it was based on a poem written in 1959, well before marijuana smoking became mainstream, by a Cornell student and friend of Peter Yarrow's. He forgot all about his poem until Yarrow set it to music. Also a class act, Yarrow tracked his old friend down to ensure he got his share of the royalties. This story persuades me that the drug subtext makes about as much sense as that nutty theory that the cover of Abbey Road was a symbolic reference to the supposed death of Paul McCartney.
 
Comment
Jules Torti
September 19, 2009 at 4:04PM
 
I'm more of the "Puff" days than "If I had a hammer," but I loved many bits of this post: the barefoot purity, the chubby misfit's distrust and the shaken chips in the kaleidoscope.

Your blog posts are diverse and versatile, paired nicely with morning coffee or an Amsterdam Nut Brown (as is the case now). Thanks for another good read.
 
Reply
Rona Maynard
September 21, 2009 at 1:01 PM
 
And thank you, Jules. An attentive reader is the best gift any writer can have.
 
  1. You are welcome to leave a comment here.
  2. I may respond occasionally but if I don't please don't be offended.
  3. Be nice!

Your turn

Name (required)

URL (optional)

Email (required, but will not be published)

Comment:

Please re-type the word shown above.  (If you can't read it click here)

 

  Remember my name and email for next time
  Notify me if there are any follow-up comments